Kip Moore’s current Top 20 single Last Shot is the second taken from his revered third studio album Slowheart and follows his fourth No. One hit More Girls Like You. Slowheart garnered instant praise from critics as Moore’s “most complete, cohesive declaration of his artistic sensibilities yet” (NPR) as well landing on multiple “Best Of” lists including Entertainment Weekly, Rolling Stone, UpRoxx, Bobby Bones Show, Taste Of Country, Sounds Like Nashville, The Boot, PopMatters and Whiskey Riff.
Slowheart follows the acclaim that surrounded Moore’s sophomore album Wild Ones heralded as “an impressively singular release from Music Row” by The Guardian and his platinum debut album Up All Night that spawned three No. One hit singles, including gold certified Beer Money, platinum Hey Pretty Girl and the double platinum breakout hit Somethin’ ‘Bout A Truck.
The journey Moore speaks to is a monumental one: from that of a struggling Nashville musician to a massive country superstar with his mammoth 2012 debut album Up All Night and an artistic adventurer with 2015’s sonically bold and critically revered second effort, Wild Ones.
Now Moore is set to release his most unflinching, distinct testimony yet: “I know how strong this record is. I know its capabilities,” Moore says of Slowheart, the country star’s evocative and profound third album. The culmination of an ever-evolving talent’s process of self discovery, the LP is a warm and honest embrace of Moore’s rugged rock roots and a showcase for his innate poetic prowess.
Central to Moore is the knowledge that in Slowheart he’s created a collection of enduring, sturdy songs, ones that showcase his knack for rich storytelling and are not unlike the albums he was raised on. Over 13 tracks, Moore unfurls acute accounts of loss and longing, confusion and conviction, frivolous falsehood and always daring to dream. “I want to be an artist that moves people to their core and that they hold onto forever,” he says. “That’s what got me into this; it was all for the purity of the music. I never gave two shits about money and fame,” he adds. “It was all about the songs.”
Stephen Barker Liles and Eric Gunderson — launched with the No. 1 country smash “Angel Eyes” and top 10 hit “Runaway.” The longtime friends and bandmates have gone on to garner more than 3 billion radio impressions, over 300 million plays on Pandora, and are nearing 3 million music video streams for the critically acclaimed “Whiskey On My Breath,” an epic ballad that “returns Love And Theft to the harmony-rich sound that first turned heads when they started out,” (Rolling Stone). The ACM/CMA/CMT nominated duo has built a loyal fan base through their high-energy shows, infectious harmonies, and signature songwriting and is poised for the next chapter in their musical journey. The pair is currently putting the final touches on their fourth studio album, produced by legendary music icon Jim Ed Norman, and will release on Curb Records later this year.
David Nail has spent a decade leaving his unique mark on modern country music with 3 certified Gold songs and 1 Double Platinum song " Whatever She Gots". He reaches a new creative peak with 2018’s Only This and Nothing More, a record that matches his longtime melodic chops with atmospheric rock & roll guitars, lush keyboards, drum loops, and rule-breaking arrangements. Billed not as a solo album, but as a project by David Nail and the Well Ravens, Only This and Nothing More finds its frontman leaving behind the familiar comfort of his longtime record label and, instead, uncovering new ground with help from two longtime partners; multi-instrumentalist Andrew Petroff and producer Jason Hall. Inspired not only by his country roots, but also the guitar-heavy stomp of Oasis, the reverb-heavy wash of Ryan Adams, the rhythmic punch of the Black Keys, and the anthemic swell of Kings of Leon, Nail and the Well Ravens co-wrote a collection of songs that placed a contemporary spin on older sounds. The result is David Nail’s most sonically adventurous work to date, as well as his first release as an independent artist. He’s a country crooner one moment, an indie rocker the next, and a diversely compelling frontman throughout. Most importantly, he’s an artist following his muse, making music without rules or regulations.